le régime de l'image contemporaine est traversé par des formes d'iconoclasmes qui, parfois, sont des pauses salutaires, des points de vue dans le grand vortex scopophile, l'article ci-dessous est une archive succincte de l'une des ses manifestations.
si toutefois ce papier vous intéresse et que la langue est un obstacle, veuillez le faire savoir ici: firstname.lastname@example.org
"Visual AIDS Day With(out) Art
Day Without Art (DWA) began on December 1st 1989 as the national day of action and mourning in response to the AIDS crisis. To make the public aware that AIDS can touch everyone, and inspire positive action, some 800 U.S. art and AIDS groups participated in the first Day Without Art, shutting down museums, sending staff to volunteer at AIDS services, or sponsoring special exhibitions of work about AIDS. Since then, Day With(out) Art has grown into a collaborative project in which an estimated 8,000 national and international museums, galleries, art centers, AIDS Service Organizations, libraries, high schools and colleges take part.
In the past, Visual AIDS initiated public actions and programs, published an annual poster and copyright-free broadsides, and acted as press coordinator and clearing house for projects for Day Without Art/World AIDS Day. In 1997 we suggested Day Without Art become a Day WITH Art, to recognize and promote increased programming of cultural events that draw attention to the continuing pandemic. Though "the name was retained as a metaphor for the chilling possibility of a future day without art or artists", we added parentheses to the program title, Day With(out) Art, to highlight the proactive programming of art projects by artists living with HIV/AIDS, and art about AIDS, that were taking place around the world. It had become clear that active interventions within the annual program were far more effective than actions to negate or reduce the programs of cultural centers."